REPORTS
Music distribution – part 3 : We’ve talked with David Raimbaud from Wiseband, a hybrid company that is both an agregator and a music distributor
We have seen in the past two weeks on the magazine that music distribution is a vast sub-realm of the music industry, and that there is a real dichotomy happening in the independent side of ... [lire la suite]
Music distribution — part 2 : diving in the world of digital music distribution with Sylvain Morton, head of distribution at IDOL
The music industry seems difficult to navigate for many people and especially many emerging artists, and digital distribution is certainly the least known part of the music business. It is indeed difficult to know what ... [lire la suite]
Music distribution – part 1 : a lesser known part of the music industry
To get 2022 off to a good start, and to always provide more enriching content about the music industry to readers of the magazine, hauméa is inaugurating a new concept for its reports : report ... [lire la suite]
We attended the European event that is the Crossroads Festival from the 7th to the 10th of September : here’s our festival report !
Among the great amount of festivals that took place in France since the beginning of September, we went to Roubaix, a small town located in the North of France in order to attend the sixth ... [lire la suite]
SubmitHub, Groover, HumanHuman, MusoSoup : a guide on how to promote your music by yourself
In the wide world of music promotion, there are a lot of platforms to send your music through. SubmitHub, HumanHuman, Groover... they all allow artists to get in touch with music influencers for a small ... [lire la suite]
How can you promote your music when you are an independent artist ?
Working your way up as an independent artist is not easy, and when you start talking about music promotion, things get even more complex. Having someone else – a PR agent – do it for ... [lire la suite]
Underscope : the platform that wants to professionalize and promote members of the electronic music scene
The electronic music scene mostly lives off live performances. Playing in clubs, festivals, concerts … these are some of the best ways to reach an audience and to earn money. Yet, these venues and events ... [lire la suite]
Spotify wants to promote independent artists on their platform… by taking a cut of their royalties
The independent music industry is raging, yet Spotify hasn't flinched. On November 2nd, the world's number one music streaming service announced that they want to showcase better the music that artists put online by giving ... [lire la suite]
Audius : the streaming platform that pays its artists (and listeners) the most ?
We are not fooling anyone when we say that it is difficult for an artist to make a living off of their music. It is even more difficult during a global pandemic that practically ... [lire la suite]
We talked with microqlima, the independent label that fights for the French pop music scene
microqlima, a label that beats to their own drum. A label that "oscillates between sun, soundscapes, and brain-storms", to use their own words. A nebula of metaphors that describes a Parisian talent agency coveted by ... [lire la suite]
