{"id":4194,"date":"2022-04-12T17:56:16","date_gmt":"2022-04-12T15:56:16","guid":{"rendered":"https:\/\/www.haumeamagazine.com\/?p=4194"},"modified":"2022-04-12T17:56:16","modified_gmt":"2022-04-12T15:56:16","slug":"superpoze-came-back-with-nova-cardinale-an-electro-orchestral-masterpiece-made-out-of-pure-music","status":"publish","type":"post","link":"https:\/\/www.haumeamagazine.com\/en\/superpoze-came-back-with-nova-cardinale-an-electro-orchestral-masterpiece-made-out-of-pure-music\/","title":{"rendered":"Superpoze came back with “Nova Cardinale”, an electro-orchestral masterpiece made out of “pure music”"},"content":{"rendered":"

Superpoze is an artist who \u2013 just like his French peers Rone, Chlo\u00e9 or even Ir\u00e8ne Dr\u00e9sel<\/a><\/span> \u2013 has gotten more and more popular over time, both for his solo albums and his OSTs for movies. Back in 2017, he had announced shortly after the release of the excellent album “For We The Living” that he was to put on hold his solo career as an electronic music producer in order to collab with artists such as Lomepal \u2013 Superpoze produced & composed for Lomepal’s “B\u00e9cane” \u2013 and to work as a music composer for several movies. After a 5-year hiatus in his solo career, he first came back with an unexpected single called “Parabel”, and a few weeks later with “Nova Cardinale”, an album that showcases that both orchestral music and contemplative electronic melodies can coexist. Let’s dive right in !<\/strong><\/p>\n